Sunday, November 10, 2013

Ethereal Elegance

Extremely delicate or refined.   Almost as light as air.  Celestial or spiritual.  These definitions of "ethereal" all fit the last rose that shines defiant against the coming Winter in my garden.  Cheerful in spite of frost, embracing the sunlight from dawn to dusk, 'Betty Boop' carries alone the promise of delicate and refined beauty into the cold nights of November.  She may now be clothed in soiled foliage. and her days in warm sun may be numbered, but she blooms still, an angel of charm and elegance in the dying landscape.


 
I was struck yesterday, on a glorious, warm and bright Saturday afternoon, by the tableau of these bright yellow and red flowers against the now drab buffalograss nearby and the blanched prairie grasses of the distant background.  The individual blooms are stained here and there by the frozen dews, but the chilling nights of the past two weeks have made a porcelain study of the petals and deepened the contrast of yellow center and blushing edges.  While other roses in my garden have balled and browned, 'Betty Boop' still engages the gardener's soul with a passing glimpse, beckoning to close, to come hither and be smitten. 

There are lessons upon lessons here, in this rose, for one and for many.  The values of buoyancy and perkiness while the nearby world stands gloomy and grave.  The strength of fragility and softness in the defiance of certain destruction by the coming storms.  The lure of coy subtlety and refinement over blatant sexuality and wanton display.  The stolen embrace of sunshine and warmth during a fortuitous moment, returned back tenfold to the world in a smile.

Twas 'Betty Boop' who held my heart yesterday, calmed in her graceful hands.     

Tuesday, November 5, 2013

Now? Really?

Like many other Texas-borne and -bred organisms, my Texas Red Yucca seems to be befuddled since it was transplanted from its native environment.  I have three plants, purchased on a whim after I saw them blooming in Las Vegas, and I am finding their bloom periods unpredictable at best.

Keep in mind that all three plants are the same age and size and they are cited about two feet apart in the same bed under the same tree.  Last year, two clumps bloomed, the center one starting in June and the south-most one in July, both continuing through September.  This year, the center clump didn't bloom at all.  The clump to the north end bloomed alone in June and has made a nice display all summer.  A closeup photo of the very long-lasting waxy flowers from that raceme is on the left, below.  Most recently, just a few days ago and after our first freeze here, I noticed two foot-high flower spikes growing on the southern-most clump as pictured to the above right.  Say what?  What possible natural signal would have enticed this plant to start blooming now? 

Talk about your messed up biologic cycles.  Land sakes, it must be more evidence of Global Warming!   Somebody please, quick, alert Al Gore!  He'll surely take action; at least, maybe, if you can pull him away from the millions he made selling his TV network to Al-Jazeera.

It will, at the very least, be interesting to see how the winter weather affects this raceme.  Will it shrivel up and turn brown and die?  Or will the waxy coating protect it from the frigid North winds and the dehydrating bright winter sun?  Will this stalk perhaps make it to March and then bloom in April, giving me 6 full months of bloom from a single stalk of flowers? 

No way could I get that lucky.  I'm predicting either a) a mouse will find these succulent stems delightful as a Christmas meal, or b) that the stress of the flowering stalk forming in late fall and into winter will result in the death of the plant, while its more intelligent neighbors bide their time and survive.  Or both.

Friday, November 1, 2013

I Want It!

ProfessorRoush doesn't often post pictures taken outside his own garden, but I can't resist posting this iPhone photo of a Halloween display that I encountered yesterday at a local horticulture proprietor.  Forget the Halloween paraphernalia, look at the garden table!  I took one look at this table, stained cement at about the perfect height for either "real" garden work like potting or for just display and ornaments, and I almost walked out the door with it despite the almost $400 price.  Shades of impulse buys, somebody purchase this thing before it lures me back!

I've never, ever, thought about a table in the middle of my garden, but somewhere in ProfessorRoush Fantasy Garden Land, this table, with its Griffon-style legs, stands adorned in Spring with forced pots of bulbs hidden among blooming wisteria vines.  There is a fat calico-furred feline soaking up the early Spring sunrays and lazily watching a torpid bumblebee lumbering near.  The view changes again in Summer, and I see the legs adorned in Jackmanii wisteria and a fragrant pink pillar rose draped over it along the back, butterflies floating slowly from bloom to bloom on placid early morning air currents.  I see this very table in September, arrayed with ornamental gourds and pumpkins, surrounded on the sides and back by tall 'Northwind' and Miscanthus 'Gracillimus' grasses.  What garden paradise can I create here with this eye-level cement muse?

Alas, while these beautiful vistas beckon, I can't escape from the realities of the Flint Hills.  I know that potted bulbs would be quickly swept off the bench by the Kansas winds of April, and the wisteria would likely refuse to bloom.  The fragrant pillar rose would rake across the table in Summer, scraping any contents to the ground in an instant.  The clematis would be wilting in the hot summer sun, particularly where it contacted the boiling concrete.  The colorful pumpkins and gourds of autumn would be whisked off to Missouri on the back of a thunderstorm while the grasses stood as silent guards around the cement tomb of summer's hopes.

Hey, look again at that picture.  It might not work out in my garden, but I think it would look great in yours!

Wednesday, October 30, 2013

Misty Magic

I believe ProfessorRoush has mentioned it before, but the monotone beige of the autumn Flint Hills comes completely alive when rain or mist dampens the tall grasses.  Without moisture, the grasses are an uninspiring shaggy carpet of light browns and tans, some perhaps rarely displaying a dusky red undertone.  If the heavens bestow a mild drizzle, however, or perhaps engulf the land beneath a damp cold mist, the prairie becomes a sea of fall colors, reds, golds and yellows woven into a tapestry of summer's bountiful growth.



I came back from a day trip to Nebraska last evening, fighting mist and fog over the last thirty miles of backroads, to find my little corner of prairie transformed into a quiet paradise of colored foliage studded with clear aqueous gemstones.  The mist imposed a sense of isolation and dampened all sounds from the adjacent roads and city as well as raising a veil to screen out the view of other houses on my horizon, leaving my garden as an oasis within Eden.  Some might label the silent misty cloak as an ominous warning of apocalypse, but I felt only peace and calm draped across the land.

The evening mist also provided me a victory of sorts.  Mrs. ProfessorRoush finally conceded that the unmown prairie grass on the rear-facing slope behind the house might have some redeeming qualities beyond her fears of a snake-infested meadow.  I made sure to get a firm verbal commitment of support for my laissez faire approach to the landscape, but I prudently decided not to push my luck with a request for her surrender in writing. Mrs. ProfessorRoush was, in fact, madly snapping close-up photos of the grasses, presumably with the goal of adding them to her already voluminous Facebook page.  In unusual fashion, she was even squatting at eye level with the foliage, capturing a much broader and more artistic view of my meager gardening efforts than she normally strives for.  Oh my, vindication and validation are such sweet wines to the gardener's palette!

My own quick Iphone capture in the growing dusk resulted in the photo displayed above.  There was barely enough light left to trigger the digital pixels, but I found that I liked the blurring effect that the dim light added to the mist.  This is the Kansas prairie, untouched and unsullied by man, carrying all these harvest hues now exposed into winter.  I slept soundly on the prismatic prairie last night, wrapped in a silent blanket of inner peace, separated and protected by a misty curtain against the waves of civilization.    

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