Red Roses and PinCushions

'Red Cascade'

 This week's lawn scalping, while always a chore and most especially during our "rainy season" when ProfessorRoush feels obligated to mow the entire yard at weekly intervals, had its pleasantries still as the rose are fading and other flowers come on to fill the borders with color.   Two of the "reds", vivid red roses, caught my eye particularly, one by itself ('Emily Carr') and one by contrast ('Red Cascade') with a neighboring perennial.  I use the word "contrast" lightly here because a color expert would almost certainly say that the vivid red of 'Red Cascade' and the burgundy of my Knautia macedonica 'Mars Midget' are complimentary hues, not contrasting. 

Knautia macedonica 'Mars Midget'

I apologize for the informality of their impromptu picture here, poised above some yet-to-be-opened bags of mulch, the latter keeping 'Red Cascade' from showing you its cascading river of red down the stone, but I was racing against the sun and heat and not inclined to stop the lawnmower, get off, move the bags, and rearrange 'Red Cascade' to capture it at its best.   A broader picture here also wouldn't show you any more rose, but it would reveal that the Knautia cultivar dominates my front landscape and is trying to escape by self-seeding into the buffalograss.   Sometimes the message is aided by the framing.

I've had this specimen of 'Red Cascade' since 1999, and have written of her before, but in fact she's a transplant from a previous house.  This 1976 introduction by the breeder, Ralph Moore, and his Sequoia Nursery has had ups and downs in my garden, but if I pay it only a little attention, it's an ironclad rose in my Kansas climate, cane-hardy in winter and disease-free in summer.  While the individual blooms are small and unremarkable, the overall effect is one of bounty and beauty, especially when she's at her peak.

I've also written before about 'Emily Carr',

'Emily Carr'

 but I felt I should update you on her survival and presence in my garden.  I obtained 'Emily Carr' in 2019, and she struggled for a couple of years, but now in her 5th season I can affirm her health and winter hardiness with some confidence.  She has always surprised me with her height (canes reaching 5 feet here in a summer) and with the vivid and almost non-fading scarlet of her barely semidouble blooms.  Opening to show golden stamens, the photo at the left shows those blooms in all stages, from unopened to petals falling, beautiful in all phases of her brief showiness.

'Emily Carr'

As a bush, 'Emily Carr' is lanky, and upright, healthy and robust, sending gangly canes up in a solid clump.   She requires no spraying and might exhibit a little blackspot on lower leaves in the most moist of summers.  Right now, fresh from bi-weekly two-inch rains for the past month, you can see she gets a little too much moisture in the clay cauldron of soggy soil at her feet, but she still shows only minimal damage and is returning the welcome rain in a burst of red happiness.  She's a Canadian of late introduction (2007) but a keeper in my garden.

Rosa Emily Carr

'Emily Carr'

Please allow me, in the midst of the late May flush of roses, to begin in the next blog entry or three to introduce you to a few "new" friends.   New, at least, to me, nearly new to my garden, survivors of at least one winter without protection and survivors of my general lack of proper garden attention.

This week, I bring you 'Emily Carr', a refined Canadian lady that I was introduced to in 2019.  She was, at that time, only 12 years past her debutante ball, for 'Emily Carr' was debuted to the world in 2007 (another less-reliable source says 2005) as one of the later introductions of AgCanada.  Bred by Lynn Callicott in 1982, she is a member of the AgCanada 'Canadian Artist Series', the only member of that series that I believe I grow.   Her namesake (12/13/1871 -3/2/1945) was a Canadian Post-Impressionist artist and writer of British Columbia who was inspired by the Northwest Indigenous peoples and the British Columbia landscape.

'Emily Carr', as you can easily see, is a semi-double, bright red bloomer of medium stature and glossy, healthy foliage.   At maturity, she is supposed to become 4 foot tall, although my 3 year old specimen is only 3 feet at present and a pair of posts on Houzz suggest that she goes over 5 1/2 feet in some instances.   She struggled her first two years in my garden, an uncertain survivor of the triple plagues of cold, drought, and deer, but this year she popped up strong and solid, a striking arterial-blood-red scream against the pale pink tones of 'Blush Alba' behind her.   According to helpmefindroses, she is a direct descendant of 'Morden Cardinette' and 'Cuthbert Grant'.   I tried and lost the former, but 'Cuthbert' is a solid, healthy rose for me, slowly ending his own first bloom flush in his 22nd year.  Father to daughter, those deep red genes held strong.

'Emily Carr' is supposed to repeat reliably in flushes, but as she didn't have much of a bloom over her struggling years, I'll have to see what she can do for me this year.   At least she seems to be rose rosette immune, having survived the onslaught of virus in my garden even during her struggles.   I sadly can't detect much in the way of fragrance from her, a disappointment since I've always thought 'Cuthbert Grant' had a decent fragrance here in my garden and he, himself, was a descendant of fragrance legend 'Crimson Glory.'   It's a pity that fragrance can be lost in so few generations if breeders don't pay attention.

One never knows where research on a given subject will lead in these days of Internet bounty.   In this case, my searches for 'Emily Carr' led me down a rabbit hole to the Vineland Research and Innovation Centre and it's "49th Parallel Collection of Roses."   And now I'm left wondering what 'Chinook Sunrise' would look like and how it would perform in Kansas.  A little late to obtain this year, but maybe next year I can find her.