Rosa Emily Carr

'Emily Carr'

Please allow me, in the midst of the late May flush of roses, to begin in the next blog entry or three to introduce you to a few "new" friends.   New, at least, to me, nearly new to my garden, survivors of at least one winter without protection and survivors of my general lack of proper garden attention.

This week, I bring you 'Emily Carr', a refined Canadian lady that I was introduced to in 2019.  She was, at that time, only 12 years past her debutante ball, for 'Emily Carr' was debuted to the world in 2007 (another less-reliable source says 2005) as one of the later introductions of AgCanada.  Bred by Lynn Callicott in 1982, she is a member of the AgCanada 'Canadian Artist Series', the only member of that series that I believe I grow.   Her namesake (12/13/1871 -3/2/1945) was a Canadian Post-Impressionist artist and writer of British Columbia who was inspired by the Northwest Indigenous peoples and the British Columbia landscape.

'Emily Carr', as you can easily see, is a semi-double, bright red bloomer of medium stature and glossy, healthy foliage.   At maturity, she is supposed to become 4 foot tall, although my 3 year old specimen is only 3 feet at present and a pair of posts on Houzz suggest that she goes over 5 1/2 feet in some instances.   She struggled her first two years in my garden, an uncertain survivor of the triple plagues of cold, drought, and deer, but this year she popped up strong and solid, a striking arterial-blood-red scream against the pale pink tones of 'Blush Alba' behind her.   According to helpmefindroses, she is a direct descendant of 'Morden Cardinette' and 'Cuthbert Grant'.   I tried and lost the former, but 'Cuthbert' is a solid, healthy rose for me, slowly ending his own first bloom flush in his 22nd year.  Father to daughter, those deep red genes held strong.

'Emily Carr' is supposed to repeat reliably in flushes, but as she didn't have much of a bloom over her struggling years, I'll have to see what she can do for me this year.   At least she seems to be rose rosette immune, having survived the onslaught of virus in my garden even during her struggles.   I sadly can't detect much in the way of fragrance from her, a disappointment since I've always thought 'Cuthbert Grant' had a decent fragrance here in my garden and he, himself, was a descendant of fragrance legend 'Crimson Glory.'   It's a pity that fragrance can be lost in so few generations if breeders don't pay attention.

One never knows where research on a given subject will lead in these days of Internet bounty.   In this case, my searches for 'Emily Carr' led me down a rabbit hole to the Vineland Research and Innovation Centre and it's "49th Parallel Collection of Roses."   And now I'm left wondering what 'Chinook Sunrise' would look like and how it would perform in Kansas.  A little late to obtain this year, but maybe next year I can find her.

Mary Rose and Cuthbert Grant

Sometimes, even ProfessorRoush wonders if the real purpose of his blog is to herald the joy of roses to the world at large, to serve as an outlet for pompous written expression or fire-fanning frustration, or merely to sound the gong of life and proclaim the joy of breathing still.  Today however, there is no hidden message, no subtle cynicism to digest.  I simply love the photo at left and so I'll discuss the rose in the foreground as a pretense for displaying the photo here.

The floriferous subjects here, taller and deep red Canadian rose 'Cuthbert Grant' behind pink and demure English rose 'Mary Rose', came together in a moment of May, 2013 to form a photo engrained in my memory.  I don't know if it was the lighting or the quiet evening ambiance or the wine color of 'Cuthbert Grant', but it remains one of my favorite impromptu garden pictures, imperfectly composed  and focused as it is.



'Mary Rose'

I've discussed 'Cuthbert Grant' before, and he remains one of my best Canadian roses, but I haven't touched on 'Mary Rose' until now.   She was one of the earliest David Austin roses I ever grew, and while she is not my favorite English rose, she has earned a place by persisting in this shady spot, thriving some years and barely hanging on in others.  'Mary Rose', or AUSmary, is a medium pink shrub rose introduced in 1983.  She is cluster-flowered, with double cupped blooms that are infused with a heavy fragrance.  She blooms in flushes, not quite continually, and her only real failings in my eyes are those delicate petals, short-lived in the ravages of my prairie winds.  I don't get to enjoy these blooms long outdoors, so I cut them and bring them in as I find them.  She is stout, seldom over three feet high and wide in my garden, and generally healthy, although she can lose her skirt from blackspot in humid weather.  This daughter of 'Wife of Bath' and 'The Miller' does seem to be reasonably hardy in Zone 5, experiencing some cane dieback, but she is seldom nipped to the ground. 

Average roses on their own, together the colors of these two roses are perfectly suited partners, the strong hues of the regal gentleman and the coy complexion of his shy lady blending seamlessly to complement each other.  If all the tints of a garden and all the marriages of men and women mirrored the devotion and bond between these two, as strong as the connubiality of myself and Mrs. ProfessorRoush (publicly avowed here in the interests of my continued health), then the world would be a better place and the garden a more beautiful one.

Canadian Crimson Glory

One of the hardiest, red hybrid-tea-style roses to grow here on the Flint Hills prairie is an older introduction from AgCanada, the bright red rose 'Cuthbert Grant'.  'Cuthbert Grant' is a "Parkland" series Canadian rose, bred at Manitoba, but it was named after a prominent Métis leader who led the victors at the Battle of Seven Oaks and who became an important early figure of the Hudson's Bay company.  

'Cuthbert Grant' was one of the first Canadian roses I grew in Kansas and it remains one of my favorites of that group.  Blooms are cardinal to dark red, with more of a purple-red hue in colder weather, and they fade to a lighter but again more purplish-red hue.  The double blooms (17-25 petals) start as a hybrid-tea type bud and then open relatively quickly to a cupped shape.  I love to experience the strong fragrance of this rose in the garden, but because of the quick opening of the bloom, 'Cuthbert Grant' doesn't last long as a cut rose indoors.  I should disclose that different references list this rose as having strong fragrance to none at all, but my own nose is voting on the strong fragrance side. Blooms come in clusters of 3-9 flowers on long slender stems. This rose is one of the first to bloom in my garden, then it will take a rest and it seems to bloom in several smaller periodic flushes though the summer before producing a second great flowering in the fall.  I wouldn't, in other words, call it a continuous bloomer, but it does produce several flushes over a summer.

'Cuthbert Grant' is extremely resistant to blackspot, powdery mildew and rust.  The Montreal Botanical Garden listed it as being an outstanding variety for disease resistance in a 1998 trial, and I never spray my 'Cuthbert Grant' rose.   It's a medium-tall bush, about 4 to 5 feet tall and 3 feet around as a mature bush in my garden, but in hot climates, it is said to shoot up to over 8 feet.  I noticed one reference on davesgarden.com that suggested the bush has a slight weeping habit, but 'Cuthbert Grant' has only had strong, thick erect canes in my garden.  It is reputed to be hardy to Zone 3 and I can certainly attest that I've never seen winter-induced dieback in Zone 5.  In fact, as I think about it, this rose seems to be unusually resistant to cane dieback or damage at all times of the year compared to modern hybrid teas.

'Cuthbert Grant' is a Hybrid Suffulta (a R. arkansana descendant), a result of crossing 'Assiniboine' (a red Hybrid Suffulta itself) with a 'Crimson Glory' x (Donald Prior X R. arkansana) seedling. He was bred by Henry Marshall in Morden, Manitoba and released in 1967.  I'm assuming the strong fragrance of Cuthbert comes from the 'Crimson Glory' grandparent, since its fragrance has much the tone of that latter rose.

In a nutshell, if you are discouraged by the disease and cold susceptibility of the real 'Crimson Glory', try 'Cuthbert Grant' instead.

Hope for Humanity

'Hope for Humanity'.   If ever there was a rose named to increase sales to the WEE (wild-eyed environmentalists) and the Birkenstock herd, it is certainly 'Hope for Humanity'.  It's fortunate for the more cynical human personality types, including the many gardeners that prefer to spend time with plants rather than their fellow Homo sapiens, that 'Hope for Humanity' is also a healthy and beautiful rose so that we can claim we appreciate it for something other than its name.

'Hope for Humanity'

'Hope for Humanity' is a 1995 introduction in the Parkland Series from Agriculture Canada that was released to celebrate the 100th anniversary of the Canadian Red Cross Society. Appropriately for that commemorative purpose, she is not the muddy magenta-red rose color that many "red" roses have, she's a deep vivid crimson red that makes the bush appear to be studded with enormous rubies.  The Red Cross had exclusive rights to market the rose until 1998 when it was released to sale by commercial outlets.  Like most of the Canadian releases, you will most often find 'Hope for Humanity' growing on its own roots, increasing the hardiness and survivability of the rose here in Kansas.  She blooms continually with those blood-red, fully double blooms held in trusses of 4-5 blossoms about 3 inches in diameter.

There seems to be a lot of recent interest in this rose on several gardening forums I frequent, particularly among the zone-poor gardeners like myself who are denied the less cold-tolerant rose families.  As I stated in an Internet posting recently, I constantly fight a bad case of zone-envy and regret that I can't grow tea roses or Noisettes, or camellias or gardenias outside of my house. And there's a lot of confusing information about 'Hope for Humanity', particularly in regards to height.  Agriculture Canada lists this rose as growing only 2 feet high, but numerous internet gardeners describe their specimens as being from 2 feet variably to 6 feet high.  Here in Zone 5B, my 'Hope for Humanity', about 6 years old at present, has never been cut back and is about 4 1/2 feet tall at present, with a half-dozen strong canes.  It is reportedly hardy to Zone 3 (it should be since it was developed at the Manitoba-based Morden Research Centre by Colicutt and Marshall) and I can confirm that I've seen no winter-dieback at all here in Zone 5. There's also some argument as to the repeat flowering of this rose, with sources listing it anywhere from 2-3 repeat cycles during the growing season to continuous flowering.  As I said, mine is continuous flowering from May through September and into October, rarely, if ever, without a bloom.  And it's a disease-free rose;  I never spray it and it gets only mild blackspot in the most humid weather.  It has survived wind storms, ice storms and the determined cane-gnawing by a family of rabbits in its short time with me.

If you're a suppressed Victorian who prefers hybrid-tea roses and is turned off by the shrub-like form and floribunda blooming of 'Hope for Humanity', another Canadian rose that might better fit your desires is the less sickly-sweet named, red hybrid-tea style 1967 introduction named 'Cuthbert Grant'.  The majority of internet sources list 'Cuthbert Grant' as another Parkland series rose, but the rose is named after the Métis explorer and leader.  'Cuthbert Grant', the rose, is a good hardy performer in my climate (also rated as hardy to Zone 3), of almost the same red color but perhaps a little more venous than arterial blood-toned in its particular red.  Growing a trifle taller to six feet and a bit faster, Cuthbert is also more suited to bringing into the house in a vase for display and has a better fragrance than HFH.    

Luckily there's a rose for every fool, a fool for every rose, and still some 'Hope for Humanity.'