October GGW Photo Contest

I've been making photographs for October's Gardening Gone Wild Photo Contest for weeks, trying to find just the right composition to fill what I felt was the nebulous theme of "fill the frame."  The contest rules, as I understand them, don't allow post-cropping of the photograph (the entire "canvas" must be used) so it creates a bit of a challenge to allow my camera lens to do the cropping.  I've taken wide lens garden vistas, and "whole plant" photographs and closeup after closeup, and before today, I believed the hardest part of the challenge was to make my own choice from among many possibilities.  Right up, that is, until I found this solitary, late bloom of the Griffith Buck rose 'Prairie Harvest', and then, even before the picture was taken, I knew I had my entry.  She was perfect, and delicate and a deeper yellow than the blooms of high summer, and even our recent first October freeze couldn't dim her glory.  So here she is, immortal hereafter, my "harvest" of the memories of past summer's sunshine:

Rosa 'Prairie Harvest', 10/22/11

GGW September Photo contest

Like others who took on the challenge of Gardening Gone Wild's September Picture This Photo contest, I had a hard time choosing between entries.  The guest judge, Christa Nue, picked a very open subject, "Late Summer Garden," and then made it harder by providing examples ranging from closeups to colorful garden beds, to wild vistas.  Late Summer and Fall subjects are apt to be more difficult in the Flint Hills, a landscape which is often at its best in Fall as the late cool rains turn the grasses and hillsides red in contrast to the late sunflowers and goldenrod that rise amongst them.

As an example, I briefly considered this more natural vista of wild goldenrod on the prairie.  I got lucky with an early morning mist for this picture, taken across my neighbor's pasture.  This golden, unplanned field is composed of a mix of native goldenrod species, including Downy Goldenrod (Solidago petiolaris), Rigid Goldenrod (Solidago rigida), and the ubiquitous Missouri Goldenrod (Solidago missouriensis). 

When I think of a Fall garden, I often think of rose hips, so a recent picture of Rosa eglanteria hips appealed to me on a closeup level. Orange skin and wicked curved barbs, rose hips hold the essence of the fading sunlight.

 And for a pure late summer flower show, nothing rivals Hydrangea paniculata in the Flint Hills.  This cultivar is 'Limelight', no less interesting in late summer for the browning, drying petals, their demise hastened by the drought which still lingers.  Seeing this, I remember why they're popular subjects for dried flower arrangements.

 

Roush GGW September Entry 'Goodbye Summer Harvest'

But, I finally settled on entering the picture at left  into the contest; an overripe, overgrown, group of forgotten cucumbers on a fence.  I know that the overall subject is a little unusual, but the title of "Late Summer Garden" suggested more of a vegetable garden feel to me.  And in the end, I couldn't resist the papery, detailed texture of the dried leaves and prickly stems of these cucumbers.  Make sure you look beyond the overall "orangeness" of the composition and click on the picture to see the full size version to appreciate the detail.  To me, this picture screams, "Summer Is Over!"  

(Rats, it's been automatically compressed because it is so large....really, the leaves look great in full size!)

Eden Photographed

Gardening Gone Wild's "Picture This Photo Contest" for February 2011 has had me in a tizzy now for a couple of weeks, tossing and turning in my sleep, and flipping and flopping like a landed fish over my choice for entry.  The photo contest theme (each month has a theme) is to take or choose a photo that captures your favorite place in a manner to display its "Genius Loci," the special atmosphere of that place.  In the words of guest Judge Andrea Jones she wants "your personal interpretation of one of your favourite outdoor spaces. Your special place photographed in such as way to show what you love most about it.  Please keep the view wide as possible to encompass of a view as you can but capture that spirit – that’s what matters." 

  

 Although I'm fairly new to both garden blogging and garden photography, I've already amassed a number of pictures of the Flint Hills landscape around me.  The dilemma for me is which of my stored photos best represents the feeling that this land stirs in me?  Kansas presents so many faces to experience that I hardly know where to start. Is the best choice a photo of a typical golden Kansas sunrise as viewed on the right?  

Or should I choose a photo of the summer thunderstorms coming from the North (as at left), the clouds so low that they touch the land? 

Do I choose to highlight the characteristic agricultural activities of the Flint Hills?  Would viewers be interested in the streams of fire rolling down the prairie hillsides in the annual burns?

Or would the August moon over the late harvest of summer grass be more captivating and inspirational?

Perhaps the sunrise creating a cheerful morning mood over my garden to the Southeast of the house?

Or will the frosts of winter highlight the Southern view of my garden towards the town serve to grab the attention of those who have never experienced the beauty of Kansas? 

After long consideration, I still believe that all of these photos, all taken essentially from the walls of my house, represent well this special place on the Earth. Perhaps the choice of "the best" depends on the mood of the viewer at a particular moment. But in the end, the view that I have chosen to exhibit the innate spirit of the Flint Hills is the same picture that has been the background of my computer desktop all winter.  That image, below, taken late in the day in early Winter before the start of the December snow, starts at my front lawn and looks North towards the horizon. The gravel road visible in the picture winds around the rolling grassland and hints towards the promise of travel, of life beyond this barren prairie, this Great American Desert.  The rust and beige hills sit in somber silence, and the gray winter sky is not yet allowing the promise of Spring.  Except, of course, in my heart, where I know that these weathered hills will pass through frost and fire and emerge again emerald green in the Summer that will surely come again.

Idiot-Proof Scanner Photography

For all those poor souls who, like me, sadly have the artistic ability of a donkey no matter what the canvas, I've got to show my first results with a new technique; using a computer and scanner to create collages with my garden bounty.

I became aware of scanner photography through the GardeningGoneWild Bloom Challenge website which had wonderful examples and was itself linked to a blog containing the works of photographer David Perry titled A Photographer's Garden Blog.  The breadth of possibilities and expression demonstrated on Perry's blog inflamed my obsessive-compulsive nature and, although pausing for supper, I spent the evening after my discovery choosing flowers and vegetation and trying the technique out my home scanner, and after a little photo editing, I created, among many others, the images here.

You've just got to try this technique out.  To get started, you need only a computer, scanner, and some garden material and after that, the sky is the limit.  Literally.  As far as tips go, I've already got a few from my brief experience:

a)  Use only perfect blooms and foliage;  the scanner will pick up every little imperfection.

b)  Keep the scanner surface perfectly dust- and streak-free.  Again, any defect will mar the final picture.

c) The only perfectly focused items will be right on the scanner surface. Items and blooms even slightly off the surface quickly lose focus.

d)  For pictures without a background, keep the room lights off and do the scanning at night to get a background that a little photo manipulation will turn to seamless black.

e)  You can try colored or patterned backgrounds, but in practice, I found it tough to make the textures of these backgrounds fit the pictures.

f) The photo editing software need not be sophisticated, but you will need some editing capability.  I used Microsoft Office Picture Manager for these pictures.

Give it a shot;  you'll amaze yourself and stun the friends and family who've given up on ever seeing your artsy side!