Fifty Tools

Somewhere in my busy summer, I found time to read this recent tome, A History of the Garden in Fifty Tools, by Bill Laws.  I actually paid full price for this recent release (February, 2014), rather than my usual modus operandi of browsing the used book shops for garden reads.  I tend to like to read about gardening tools and their variations, and I was pretty excited to get hold of it.  

In A History of the Garden in Fifty Tools, Bill Laws covers the history of just about every garden tool you can imagine and some that you probably didn't know about. The history and information presented about each tool was interesting, and Laws covered the development of most of his chosen tools from the Stone Age to modern times. The tools are organized into 5 chapters, the flower garden, kitchen garden, orchard, lawn, and ornamental garden, which sometimes made me feel that some tools were a bit misplaced in order because I use some differently than Laws placed them.  I also have to admit that I was disappointed by the time I finished Fifty Tools.  I think my biggest issue is that the info was dryly presented and began to drag a bit for me a bit as I got used to the format.   I'll tell you this, I didn't count them, but by the time you finish the book, you'll think you've read about more than 50 tools.

I confess that I had built up a lot of anticipation for this book, and to give the author the benefit of doubt, perhaps the problem lies with me, rather than the reading material.   I just never got into it; reading page after page like it was material from a textbook, rather than a summer novel.  It's one of those books I finished, but I struggled to maintain interest, somewhat like I've done  in the past with long Stephan King novels.  By the time I'm too far in to quit, I'm thinking, "God, just let me get it over."  If you're just nuts on garden tools, you may like this book, but my suggestion first would be to read Tools of the Earth by Jeff Taylor and Rich Iwasaki.  I read the latter years ago and it is so good that I will probably read it again soon.

Conrad Ferdinand Meyer

If there were a rose that I would describe as a "mixed blessing", it would have to be  'Conrad Ferdinand Meyer', a 1897 cross by Dr. Franz Hermann Müller between seed parent 'Germanica' and a seeding from a cross of 'Gloire de Dijon' and 'Duc de Rohan'.  Classified as a Hybrid Rugosa because of the 'Germanica' parent, the popular 'CFM' is mentioned in almost every magazine article that lists Rugosas.  Still, having grown it myself for a number of years, I sometimes wonder at the sanity of those who grow it.  Perhaps the mental instability of its namesake, Swedish poet and historical novelist Conrad Ferdinand Meyer, has rubbed off on the rosarians who grow the rose.

'CFM' does have many positive attributes to separate it from other Hybrid Rugosas.  The double blooms and soft silvery pink color are more similar to a "modern" rose than other Rugosa hybrids; the latter often flattened, semi-double mauve-ish flowers in form.  The blooms are large (more than 4 inches in diameter in my garden), borne in small clusters, and repeat sporadically over the season.  'Conrad Ferdinand Meyer' is also very, very fragrant, even for a Rugosa.  The bush is cane-hardy in my garden, with only minimal tip dieback in the worst winters.  All of these, but especially the fragrance, are reasons why I grow this rose.  No one who sees this bush questions my sanity. 



But it has a number of negative attributes as well.  Blooms tend to ball up like the picture at the right, especially in cold weather.   The matte foliage is not as blackspot resistant as more "rugose"cultivars such as 'Blanc Double de Coubert' or 'Purple Pavement', and my 'CFM' will drop about 75% of its leaves in mid-summer if I don't monitor it.  In areas where rust is common in roses, 'CFM' is notoriously susceptible.  I also wouldn't call it a vigorous rose;  for years I grew it in the middle of native prairie and the nearby grass competed for enough moisture and nutrients to keep it spindly and on the constant verge of death. The thorns are sharp, flat out dangerous and guaranteed to draw blood if you are not careful (I suppose that's a positive if you plant it in front of the window of a teen-age daughter).  The bush is tall, stiff, and ungainly.  The 'CFM' in the Reinsch Rose Garden of Topeka grows over 8 feet tall and wide, magnifying the ugliness of the bush.  My specimen, even after I moved it to a more cultivated bed where it has less competition, has stayed around 5 feet tall and not as wide.   

I do have one final personal observation in favor of this rose.  We don't often see roses included in a list of "deer resistant" plants, but I'm here to testify that 'Conrad Ferdinand Meyer' can take a deer licking and keep on ticking.   You'll recall that Conrad Ferdinand Meyer seems to be the choice of deer that graze in my winter garden.  In the winters of 2012 and 2013, I lost count of the number of pictures my game camera took of deer sampling directly from the bush pictured above and at the left.  And yet they didn't seem to cause much damage on the rose that I could find.  Maybe deer are drawn to it, but the thorns ultimately fend off those velvety deer lips.  All I know is that year after year it looks and performs the same regardless of its dietary contributions to the browsing deer.  The first picture of the overall bush was from May of 2013 and the second from May, 2014, still standing tall after a really tough winter from both deer and weather.

Foggy Fancies

These ARE the prairie mornings I live for.  Cool summer mornings after warm summer days equal fog.  Fog equals serenity and quiet, protection from searing sun, and slow contemplative moments stolen from hectic days.  The sounds of the far off highway are stilled and construction on a nearby house has yet to recommence.  Bird still rest, happy to remain grounded rather than fly against the moist and heavy air.   I wander happily on mornings like this, isolated from the greater concerns of the world and listening to the smaller joys within, happy to live for a second in the moment.  On workdays a relentless clock stays tied to my mind, holding me back from complete release. These foggy starts are even better on weekends, when nothing is waiting or undone that can't be started later.

Mornings such as these, the prairie waits.  There is no sense of foreboding in the dense humid air, no haste to act.  There is only calm and peace, dew condensing on thirsty grass, upright purple Verbena matching the somber mood of the moment.  There is no hurry here, no rush to meet the end of summer.   The grasses will change slowly, alerted to Fall by onset of these cool nights, chameleons forming the rusty colors that will be September's prairie.  The forbs will form seed and droop to deposit future life into waiting earth.  Prairie fauna withdraw, each in their own way, hibernation or migration, death and rebirth, cocoon or burrow. 

Ding and Dong, the donkeys, did not violate the calm this morning with greeting brays, but walked over quietly to accept apple slices.   They are kind morning companions, solid and steadfast, content amidst the grasses and wind.  Dong was sleeping as I approached, stretched out on a bed of matted prairie grass, while Ding kept watch.  I wished for a moment that I were Donkey, surrounded by plenty and living in the sunshine and fresh air, no plans, needs met, worries unborn.  But the fog lifts, the demanding clock calls, and I cannot be Donkey for more than a moment, a fine stolen moment of ease.