Wednesday, July 13, 2011

New Buck Roses

One of my greatest pleasures in gardening is when I get to view the first bloom of a new rose or another plant; some prize that I've never viewed before even if the plant itself has grown in gardens since Cro Magnum  man first came back tired from a hunt and asked his frumpy cave-spouse if the wild blackberries were ripe yet. 

'Iobelle'
This summer, my pleasure has been enhanced by the first blooms of a set of Griffith Buck roses from Heirloom that I planted in the early Spring.  In the running for "most beautiful rose of the year," I'm going to have to place 'IoBelle' front and center.  This beautiful bi-colored rose is a hybrid tea, released by Dr. Buck in 1962, and this picture is one of the first full-sized blooms I've gotten from the still-tiny plant.  There seems to be a little confusion on the Internet over the name.  The Iowa State University websites list the plant as 'Iobelle', I purchased it as 'Iowa Belle' from Heirloom Roses, and HelpMeFind lists it as 'Iowa Belle', with the registration name of 'Iobelle'. Since Dr. Buck worked for Iowa State, I'm going to have to go with 'Iobelle' as my official reference. 

  
'Folksinger'
The most surprising of the new roses to me has been 'Folksinger', a 1985 yellow-blend shrub rose. I wasn't sure I would like the color of this rose when I decided to purchase it, but I've really been awestruck by the beauty of the bloom and by the quick-repeating nature of the bush.








'Queen Bee'
 I added a pair of red roses to my order this Spring, and both have performed to my expectations and beyond.  'Queen Bee' is a nice darkish-red 1984 release from Dr. Buck with high-centered and very full blooms that age a bit lighter. I'm more impressed, though, by 'Bright Melody', another 1984 shrub that blooms in bright red clusters and holds its blooms amazingly well in my summer heat.  The two pictures here are of the same flowers (well, two of them at least) taken a week apart, hardly faded despite the harsh sun.  One of the few reservations I have about many of the Buck roses are that they tend to open quickly and disappear soon, but 'Bright Melody' retains its form well over time. 



'Bright Melody' 07/10/11

'Bright Melody' 07/03/11














So there you have it, the latest rose acquisitions to bloom in my garden.  What, I wonder, will be next?  There are still several once-blooming roses out there yet to bloom for me as well as a couple of (new-to-me) Old Garden Roses.  The anticipation has me all a-prickle.

Tuesday, July 12, 2011

Peaceful Polliwog Placement

Those readers who have followed my blog for some time will recognize the whimsical Totally Zen Frog that I purchased covertly last January and snuck into the garden without the prior approval of Mrs. ProfessorRoush.  

Mr. Frog spent the winter perched on the cement bench in my rose garden, as I had originally placed him, but he has always looked slightly out of place there; perhaps  he was a little chagrined to be in such a raucous floral setting.  That placement also made him a bit stealthy since it was easy for the observers eye to view him a part of the cement bench and focus instead on the roses around him, hiding him in plain sight, as it were.  In that fashion, it took Mrs. ProfessorRoush several weeks to notice that he hadn't previously been part of the scenery, so it accomplished my purpose.

But I've always felt that he deserved a more center stage spot, so recently I made him a prominent spot especially in the center of a long border, slightly elevated above ground level and sitting on his own stone throne.  Here, in a central position at the "front" of the garden, he is at once more noticeable and also seems to set the quiet tone I desire for the rest of the garden.  Here, I can almost visualize him humming a quiet meditative tune or opening his eyes in slight anger that my garden activites are disturbing him. I had thoughts of creating a larger, similar natural seat for myself, facing him, from which I could sit and enjoy the garden and commune with him.  Alas, however, I'm afraid to brave the ridicule and questioning that will follow the creation of another stone throne, so I decided to leave the frog alone in his meditation time for now. 

If Mr. Frog has anything profound to pass on about gardening or life, I'll be sure to let you know.

Monday, July 11, 2011

Sustainable Rose

It seems to have been a long time since I blogged about a current reading, but I've been skipping among several gardening books and catching up on my fiction as well.  The summer heat is setting in and I'm beginning to do less and less in the garden during the weekend afternoons, but I do relish the chance to pick up my garden reading.  I seem to do most of my garden reading in two seasons, at the height of summer and in the dead of winter,  but I suppose that makes some logical sense. 

One recent text that I'm finishing, though, is The Sustainable Rose Garden, a 2010 Newbury Books publication edited by Pat Shanley, Peter Kukielski, and Gene Waering.  The book is a collection of essays (sometimes supplemented by a poem or short note), and it is beautifully illustrated.  All the essays are directed at some aspect of breeding or growing disease-resistant roses, or at practices in rose culture that utilize less synthetic fertilizers and artificial chemicals. 

The essays will not all be useful for all readers (chapters on Tea Roses, for instance, won't help rosarians who live in Zone 5, such as myself), but there are ideas to be gleamed from most all the writings.  The big bonuses though, are essays by well-known rosarians and rose hybridizers, such as Stephen Scanniello, Viru Viraraghavan, Jeri Jennings, and Jeff Wyckoff.  There is a whole lot of information here, including a great description of the EarthKind program where I learned that there is a small EarthKind trial going on right here in Kansas.

The highlight of the book for me, however, was a chapter written by William J. Radler, the Radler of 'Knock Out®' rose fame, titled Talking About My Work With Roses.  It is essentially a history of his interest in roses, his breeding program, and a listing and description of his current introductions.  It is fascinating, for instance that he does not leave the testing of blackspot resistance up to the whims of a particular summer's weather, but describes how he collects diseased leaves early in the season, drys and powderizes them, and then sprays it over the rose garden wetting down all the leaves;  in essence creating a worse-case scenario of disease to test his seedings.  I learned a number of interesting facts, including the revelation that the original 'Knock Out' took 11 years to get to market, while his shortest time of a rose to market has been 7 years.  And I learned how 'Knock Out' got its name.  The list and description of the currently-introduced Radler roses is informative, telling us which ones were sports from others or were genetically different seedlings from similar crossings.  And there are numerous tidbits and advice from Mr. Radler about dealing with horticultural mistakes, companion plantings, and tips for using roses in the design of the garden. 

It is comforting to know that William Radler, with six employees who help with the rose research and development, views his biggest challenge as "keeping ahead of the weeds."  Sound familiar?  I guess we don't need a lifetime of dedication to roses, a degree in landscape architecture, or recognition, fame and fortune to share some of the basic challenges of gardening;  we just need a kinship with the soil.      

Sunday, July 10, 2011

Excogitating Echinacea

I noticed this morning that Sherry, of  If only sweat were irrigation also blogged on echinacea, but she had the good sense and grace to stay with those echinaceas whose appearance closely resembles the appearance of my native species


Echinacea 'Tomato Soup'
I've been exploring, with some unease I might note, various other recently-released echinacea cultivars in my garden, and I'm starting to view the results now.  I'm prone to like the oranges and reds, but I'm not very fond of the pinks and whites and greens.  I had previously tried all white 'White Swan' several times, but I hadn't been able to overwinter it yet and it really just looks too much like a Shasta Daisy to be worth the trouble to keep trying.  My favorite, so far, is the bright orange-red 'Tomato Soup' cultivar, which is right now happily enjoying the Kansas Sun with over 20 flowers on one clump.  I must have found the right place for that one and I am planning to add some other 'Tomato Soup' plants soon, because I really love that red-orange tone.
  


Echinacea 'Aloha'
I've also tried a couple of others recently, with the yellow-tan 'Aloha' making a decent first bloom in my garden.  I like this one, just the right color to offset the blue Russian sage next to it.  I have high hopes for 'Hot Summer', but that one is a new one for me this year and it hasn't bloomed yet. 














Echinacea 'Hot Papaya'
I am, of course, very picky about the echinacea cultivars I choose.  I really can't even bear to look at many of the new cultivars that have been introduced from nurseries far and wide.  Very double "poofy" echinacea such as 'Pink Double Delight' are no delight for me and remind me of a highly manicured French poodle.  The lime green 'Green Jewel' leaves an acid taste in my mouth.  Why breeed for a green flower on an already green plant? 'Marmalade', or 'Coconut Lime'? Or 'Meringue' or 'Coral Reef'? 'Fatal Attraction' would surely be the death of me!
  Please, no more of the off-line colors, my stomach can't stand it.   I WOULD like to find an easy source for 'Tiki Torch' as I believe I could use that orange in my garden, and I will admit to trying out 'Hot Papaya' last year (pictured at right), which is as far as I'll go in trying the new doubles.  Not sure yet whether I'm very excited about this one, but I'll let it live a year or two yet.   As far as purplish 'After Midnight' goes, we'll have to see.

For the rest of us, it's important to note that most of the new Echinacea have come from only four modern breeders.  In 1968, Ronald McGregor suggested that interspecies crosses were possible, but it was Jim Ault of the Chicago Botanic Garden who put that theory into practice in the late 1990's crossing Echinacea purpurea, Echinacea paradoxa, Echinacea angustifoloia and others.  Ault is responsible for most of the breakthrough colors.  Richard Saul of Saul Nursery in Georgia created the Big Sky series with Echinacea purpurea and Echinacea paradoxa crosses.  Dan Heims of Terra Nova is hard on their heels.   Arie Blom of the Dutch nursery AB-Cultivars is responsible for many of the anemone double-flowered forms, for those who like them (I'm not in that group).
 
As for the future, who can tell.  Right now I'm content to view the explosion of new garden varieties and either turn up my nose at them or bury my nose in a new, and often fragrant, bright blossom.

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